Basic Information

The architect Cass Gilbert had grand ambitions for his design of a new home for the Supreme Court--what he called "the greatest tribunal in the world, one of the three great elements of our national government." Gilbert knew that the approach to the Court, as much as the structure itself, would define the experience of the building, but the site presented a challenge. Other exalted Washington edifices--the Capitol, the Washington Monument, the Lincoln Memorial--inspired awe with their processional approaches. But in 1928 Congress had designated for the Court a cramped and asymmetrical plot of land, wedged tightly between the Capitol and the Library of Congress. How could Gilbert convey to visitors the magnitude and importance of the judicial process taking place within the Court's walls?
The answer, he decided, was steps. Gilbert pushed back the wings of the building, so that the public face of the building would be a portico with a massive imposing stairway. Visitors would not have to walk a long distance to enter, but few would forget the experience of mounting those forty-four steps to the double row of eight massive columns supporting the roof. The walk up the stairs would be the central symbolic experience of the Supreme Court, a physical manifestation of the American march to justice. The stairs separated the Court from the everyday world--and especially from the earthly concerns of the politicians in the Capitol-- and announced that the justices would operate, literally, on a higher plane. (Toobin, Jeffrey. The Nine: Inside the Secret World of the Supreme Court. New York: Anchor Books, 2008.)

Friday, April 23, 2010

An Animal Rights Case


The case in question, United States vs. Stevens, centered on Robert Stevens, a purveyor of the video series "Dogs of Velvet and Steel." Stevens produced and sold videos of pit bulls engaging in dogfights and viciously attacking other animals. These videos include graphic depictions of torture and brutality, including a pit bull mutilating the lower jaw of a live pig. In January 2005, Stevens was convicted of violating the Animal Cruelty Act (1999), which criminalized the trafficking of depictions of animal cruelty, except those with "serious religious, political, scientific, educational, journalistic, historical, or artistic value." A federal appeals court overturned Stevens' conviction and ruled that the animal cruelty law violated his First Amendment right to free speech. On Tuesday, the Supreme Court upheld the lower court's ruling.
The fundamental question is this: Does the Animal Cruelty Act violate the First Amendment right of freedom of speech? Certainly, the right to free speech is one of the paramount freedoms in our society. Our country was founded on the principle that people should not be persecuted for voicing unpopular opinions. Naturally, in order to be effective, this freedom protects disturbing and offensive speech.
However, there are very specific types of speech that we, as a society, have deemed so despicable and so lacking in merit that they do not deserve protection, among them child pornography, obscenity, threats and incitement of violence. Animal cruelty should be one of these unprotected categories. As Wayne Pacelle, president of the Humane Society of the United States, wrote, "We wouldn't allow the sale of videos of actual child abuse or murder staged for the express purpose of selling videos of such criminal acts." There is no reason to ignore depictions of animal cruelty while rightfully criminalizing parallel depictions of child abuse.
The Supreme Court should have recognized that videos of dogfighting and animal mutilation - created not to educate or inform but merely to titillate - have no constitutional protection. As Justice Samuel Alito, the sole dissenter, argued, "The First Amendment protects freedom of speech, but it most certainly does not protect violent criminal conduct, even if engaged in for expressive purposes."
Videos of defenseless animals cruelly victimized to excite the violent and sexual fantasies of certain customers have no place in our society, regardless of the free speech claims of their producers.

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